Theatre
Cobweb-thin
Hats off to the Lawrence Batley Theatre for producing a brand-new full-length show on-line. Stephen Fry, with avuncular fruitiness, narrates…
Macbeth at the movies
The world’s greatest playwright ought to be dynamite at the movies. But it’s notoriously hard to turn a profit from…
Pinch and a punch
The National’s bizarre livestreaming service continues. On 7 May, for one week only, it released a modern-dress version of Antony…
Withdrawal symptoms
A TV play by Tom Stoppard, A Separate Peace, was broadcast live on Zoom last Saturday. I watched as my…
No q for the toilet
‘Enjoy world-class theatre online for free,’ announces the National Theatre. Every Thursday at 7 p.m. a play from the archive…
Turns of the century
Not looking great, is it? Until we all get jabbed, theatres may have to stay closed. And even the optimists…
Within these walls
High Tide got there first. The East Anglian theatre company has produced a series of lockdown mini-dramas, Love in the…
Separation anxiety
Theatres have taken to the internet like never before. Recorded performances are being made available over the web, many for…
The inside story
On Blueberry Hill sounds like a musical but it’s a sombre prison drama set in Ireland. Two bunkbeds. Above, an…
Secrets and spies
Here’s the problem. Much communication is done online, especially by youngsters, and much drama focuses on communication. So how do…
Pyramid of piffle
The Prince of Egypt is a musical adapted from a 1998 Dreamworks cartoon based on the Book of Exodus. So…
Changing the bard
A Moorish princess shipwrecked on the English coast disguises herself as a boy to protect her virtue. Arriving in London,…
Beckett would approve
An office worker stands on the ledge of an open window about to leap. Two colleagues enter, ignoring him completely.…
Family matters
History will record Leopoldstadt as Tom Stoppard’s Schindler’s List. His brilliant tragic-comic play opens in the Jewish quarter of Vienna…
Local hero
Blood Wedding, by the Spanish dramatist Federico Garcia Lorca, is one of those heavyweight tragedies that risks looking a bit…
On the bias
The Gift is three plays in one. It opens in a blindingly white Victorian parlour where a posh lady, Sarah,…
Doing Chekhov by halves
Uncle Vanya opens with a puzzle. Is the action set in the early 20th century or right now? The furnishings…
Upstairs downstairs
Falling In Love Again features two of the 20th century’s best-known sex athletes. Ron Elisha’s drama covers a long drunken……
People expecting punishment won’t be disappointed: Almeida’s Duchess of Malfi reviewed
The Duchess of Malfi is one of those classics that everyone knows by name but not many have witnessed on…
Redneck twaddle: Young Vic’s Fairview reviewed
Fairview by Jackie Sibblies Drury won last year’s Pulitzer Prize. It deserves additional awards for promoting racial disharmony and entrenching…
Full of fascinating data and excellent comedy: Messiah at Stratford Circus reviewed
I’ve joined the Black Panthers. At least I think I have. I took part in an induction ceremony at the…
A flimsy tale of self-pity and thwarted ambition: Hunger at the Arcola reviewed
Oh my God. The Nazis have invaded the Arcola Theatre. Norwegian novelist Knut Hamsen won the Nobel Prize in 1920…
Punk spirit underpinned by darkness and horror: Richard III at the Sam Wanamaker Theatre reviewed
The history plays are different. In dramas like Othello, Hamlet and Much Ado, Shakespeare laid out the plot with great…
Smart, funny and beautifully imagined: RSC’s The Boy in the Dress reviewed
David Walliams is one of the biggest-selling children’s authors in the world (having shifted some 25 million copies in more…
An astonishing treat: Dear Evan Hansen at the Noël Coward Theatre reviewed
Dear Evan Hansen, by Steven Levenson, opens as a standard American teen-angst musical. Evan is a sweaty geek with a…
