Opera

Thinking inside the box: Stéphanie d’Oustrac (Béatrice) and the chorus in ‘Béatrice et Bénédict’ at Glyndebourne

French connection

28 July 2016 1:00 pm

It takes a particularly wilful wit to alight on Berlioz’s Béatrice et Bénédict as the perfect operatic nod to a…

Thinking inside the box: Stéphanie d’Oustrac (Béatrice) and the chorus in ‘Béatrice et Bénédict’ at Glyndebourne

French connection

28 July 2016 1:00 pm

It takes a particularly wilful wit to alight on Berlioz’s Béatrice et Bénédict as the perfect operatic nod to a…

On full beam

23 July 2016 9:00 am

What’s the best first opera for a sceptical adult first timer? It’s a favourite topic among opera buffs, and once…

On full beam

21 July 2016 1:00 pm

What’s the best first opera for a sceptical adult first timer? It’s a favourite topic among opera buffs, and once…

On full beam

21 July 2016 1:00 pm

What’s the best first opera for a sceptical adult first timer? It’s a favourite topic among opera buffs, and once…

First thing’s first

16 July 2016 9:00 am

Leonore is the first version of Beethoven’s Fidelio, and Stephen Medcalf thinks it’s better. ‘What Leonore gives us is more…

First thing’s first

14 July 2016 1:00 pm

Leonore is the first version of Beethoven’s Fidelio, and Stephen Medcalf thinks it’s better. ‘What Leonore gives us is more…

First thing’s first

14 July 2016 1:00 pm

Leonore is the first version of Beethoven’s Fidelio, and Stephen Medcalf thinks it’s better. ‘What Leonore gives us is more…

Fifty shades of grey

9 July 2016 9:00 am

Grey men in grey overcoats walking through grey architecture. If you had to pick an image to reflect the current…

Brutality, brutalism and barbed wire: Maurizio Muraro as Ferrando in David Bösch’s ‘Il trovatore’

Fifty shades of grey

7 July 2016 1:00 pm

Grey men in grey overcoats walking through grey architecture. If you had to pick an image to reflect the current…

Brutality, brutalism and barbed wire: Maurizio Muraro as Ferrando in David Bösch’s ‘Il trovatore’

Fifty shades of grey

7 July 2016 1:00 pm

Grey men in grey overcoats walking through grey architecture. If you had to pick an image to reflect the current…

Light and shade

30 June 2016 1:00 pm

Comedy and tragedy sit close beside one another in Mozart’s operas. Whether it’s the grinning horror of the Così finale…

Light and shade

30 June 2016 1:00 pm

Comedy and tragedy sit close beside one another in Mozart’s operas. Whether it’s the grinning horror of the Così finale…

The eyes have it

25 June 2016 3:00 am

Tchaikovsky knew what he thought of the title character of his Eugene Onegin. ‘I loved Tatyana, and was furiously indignant…

Fantastic Ms Fox: Elena Tsallagova as Vixen Sharp-Ears in ‘The Cunning Little Vixen’

The eyes have it

23 June 2016 1:00 pm

Tchaikovsky knew what he thought of the title character of his Eugene Onegin. ‘I loved Tatyana, and was furiously indignant…

Fantastic Ms Fox: Elena Tsallagova as Vixen Sharp-Ears in ‘The Cunning Little Vixen’

The eyes have it

23 June 2016 1:00 pm

Tchaikovsky knew what he thought of the title character of his Eugene Onegin. ‘I loved Tatyana, and was furiously indignant…

Stuart Skelton (Tristan) and Heidi Melton (Isolde) in Anish Kapoor’s volcano

Wardrobe malfunction

16 June 2016 1:00 pm

It is at the Coliseum that I have seen the most wonderful Tristan and Isoldes of my life, both of…

Stuart Skelton (Tristan) and Heidi Melton (Isolde) in Anish Kapoor’s volcano

Wardrobe malfunction

16 June 2016 1:00 pm

It is at the Coliseum that I have seen the most wonderful Tristan and Isoldes of my life, both of…

Visual whipped cream and cheoreographic sprinkles at Garsington fail to disguise the festering horror underneath Rossini’s ‘L’italiana in Algeri’

No laughing matter

9 June 2016 1:00 pm

Rossini is the meat-and-two-inappropriately-shaped-veg of summer opera; he’s the wag in the novelty bow tie, the two satyrs shagging enthusiastically…

Visual whipped cream and cheoreographic sprinkles at Garsington fail to disguise the festering horror underneath Rossini’s ‘L’italiana in Algeri’

No laughing matter

9 June 2016 1:00 pm

Rossini is the meat-and-two-inappropriately-shaped-veg of summer opera; he’s the wag in the novelty bow tie, the two satyrs shagging enthusiastically…

The conducting is as potent as Furtwängler’s: Opera North’s Ring reviewed

4 June 2016 9:00 am

When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…

The supremes

2 June 2016 1:00 pm

When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…

The supremes

2 June 2016 1:00 pm

When I interviewed Richard Farnes in Leeds six years ago about Opera North’s project of performing the complete Ring, he…

Not a repertory piece but in its dignity it earns respect: Royal Opera’s Oedipe reviewed

28 May 2016 9:00 am

For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…

Myth-making

26 May 2016 1:00 pm

For years I have been telling people that they should listen to, in the absence of staged performances, Enescu’s opera…