Cinema
What cinema gets wrong about nuns
Why are filmmakers so interested in nuns? They’ve been exploring the subject for more than a century, which might seem…
The new Spider-Man is a triumph of Hollywood professionalism
Remember Peter Parker? By the end of the last instalment of the Spider-Man movies, No Way Home, we were the…
The Odyssey is shallow and tiring
The Odyssey is Christopher Nolan’s relentless, deafening three-hour take on Homer’s epic poem, and while it is technically impressive filmmaking…
Nothing can save Rosebush Pruning
Rosebush Pruning is one of those films where you’ll say to yourself at the end: what the hell have I…
Funny, savvy, starry: The Invite reviewed
The Invite is a dramedy from the dinner-party-gone-awry genre about a marriage and whether a sex party might save it…
Toy Story 5 contains delicious touches
Toy Story 5 – do we need it? One worries for the narrative integrity of characters when an IP is…
Spielberg fumbles his final sci-fi
Steven Spielberg has said his latest film, Disclosure Day, is ‘the summation of my life in science fiction’, which began…
What a rabbit hole this film takes you down
Madfabulous is a biopic of Henry Paget, the fifth Marquess of Anglesey, who was probably mad and definitely fabulous. His…
Thoroughly entertaining: Tuner reviewed
I can’t see why anyone wouldn’t enjoy Tuner. It’s a heist caper as well as a romance and while it…
What have they done to Tom & Jerry?
Time was you knew where you were with Tom and Jerry. He chases the mouse; catches the mouse; the mouse…
The Christophers is delicious
Steven Soderbergh’s The Christophers is a deliciously sly, twisty, darkly comedic take on the art world starring Ian McKellen who…
Riveting: Kokuho reviewed
A three-hour Japanese epic about a classical performance art (kabuki) isn’t the easiest sell, I’ll grant you, but I’ll give…
What have they done to The Devil Wears Prada?
The Devil Wears Prada (2006) is one of those films which, if chanced upon when flicking television channels, I will…
Terrifically atmospheric: Rose of Nevada reviewed
Rose of Nevada is the third film in Mark Jenkin’s Cornish trilogy and if you have seen the first two…
Glenrothan is painfully bad
Glenrothan is Brian Cox’s directorial debut and I wish there were a nicer way of putting it but, Brian: please,…
A hypnotic new adaptation of The Stranger
François Ozon’s The Stranger is an adaptation of Albert Camus’ 1942 novel about a clerk who – spoiler alert* –…
The Drama makes no sense
The Drama is the latest from Norwegian writer-director Kristoffer Borgli whose films (Sick of Myself, Dream Scenario) always cause a…
For those of a nervous disposition, is Sinners worth it?
Ryan Coogler’s Sinners won four Oscars and was nominated for 16 and I’d yet to see it. Sometimes the labels…
Toni Servillo’s face cannot bore: La Grazia reviewed
Paolo Sorrentino’s La Grazia is about an ageing Italian president who is coming to the end of his seven-year term,…
The Peaky Blinders film is surprisingly literate
Peaky Blinders: The Immortal Man is the film that fans of the television show have long been waiting for, so…
Stunningly original: Sound of Falling reviewed
Mascha Schilinski’s Sound of Falling, which won the Jury prize at Cannes, explores the lives of four generations of women…
Fascinating: EPiC – Elvis Presley in Concert reviewed
EPiC: Elvis Presley In Concert is a concert documentary that grew out of the 65 boxes of unseen Las Vegas…
Doesn’t put a foot wrong: The Secret Agent reviewed
Kleber Mendonca Filho’s The Secret Agent, which is about an academic on the run during Brazil’s brutal military dictatorship, won…
Eye-catching but superficial: ‘Wuthering Heights’ reviewed
Emerald Fennell’s ‘Wuthering Heights’ had purists losing their minds from the get-go. They lost their minds at the casting –…
