Arts feature
The politics of horror
Everyone forgets the actual opening scene of 28 Days Later, even though it’s deeply relatable, in that it features a…
The Renaissance master who rescued polyphonic music
Last month I watched conductor Harry Christophers blow through what sounded like an arthritic harmonica but in fact was a…
The gloriously impure world of Edward Burra
Every few years the shade of Edward Burra is treated to a Major Retrospective. The pattern is long established: Edward…
Museums: open up your vaults!
At any one time eighty per cent of the art owned by Britain’s many museums and public art galleries will…
The forgotten story of British opera
British opera was born with Purcell’s Dido and Aeneas, and then vanished for two-and-a-half centuries, apparently. Between the first performance…
The odd couple: Austen and Turner at 250
History is full of odd couples: famous but unrelated people who happen to have been born in the same year.…
Art deco gave veneer and frivolity a bad name
The jazz style was the blowsy filling between the noxious crusts of two world wars. More than 30 years passed…
Why is the National Portrait Gallery’s collection so poor?
The recent announcement that the National Portrait Gallery has purchased two works by Sonia Boyce and Hew Locke for its…
‘I’ve seen controllers come and go’: Radio 3’s Michael Berkeley interviewed
A few years ago I had a panic-stricken phone call from a female friend. ‘Help!’ she wailed. ‘Remind me what…
Why is the British Museum hiding its great Orthodox icons?
The long neglected art of Byzantium and early Christianity is returning to the world’s museums. Last November, the Louvre confirmed…
The unnerving world of Erik Satie’s 20-hour composition
Once Igor Levit starts playing Erik Satie at 10 a.m. on 24 April at the Queen Elizabeth Hall, he can…
The National Trust’s plans for Clandon Park are a travesty
In April 2015, a fire raged through Clandon Park, destroying much of the 18th-century Palladian mansion’s prized interiors. Contrary to…
Why we’re flocking to matinees
The Starland Vocal Band were on to something. In their 1976 hit ‘Afternoon Delight’ they sang, in gruesomely twee harmony:…
Why was this fêted Mexican painter left out of the canon?
Think of a Mexican painting, and chances are you’ll conjure up an image of an eyebrow-knitted Frida Kahlo, or a…
‘The possibilities of paint are never-ending’: Sir Frank Bowling interviewed
‘I’m full of excitement waiting for this to dry out,’ Sir Frank Bowling exclaims. We are sitting in his studio,…
The true birthplace of the Renaissance
The baby reaches out to touch his mother’s scarf: he studies her face intently, and she focuses entirely on him.…
Real artists have nothing to fear from AI
Christie’s is making digital-art history again – or at least trying to. Between 20 February and 5 March, it is…
In defence of decommissioning
There’s more than a grain of truth in the popular caricature of a curator as a mother hen clucking frantically…
Tarot isn’t very old or esoteric – but it does work
Among my many fake and useless skills, I’m a reasonably decent tarot reader. I can do one for you now…
The thankless art of the librettist
Next week, after the première of Mark-Anthony Turnage’s new opera Festen, the cast and conductor will take their bow. All…
‘Innovation is not enough’: meet visionary English painter Roger Wagner
In the side chapel of the church of St Giles’, at the northern apex of the historic Oxford thoroughfare, hangs…
Was Brazil the real birthplace of modernism?
A paradox of art history: to understand the artists of the past, it helps to study how, and where, they…
Is the tide turning on restitution?
When passions are aroused, all of us are liable to overstate our case. Dan Hicks, a curator at Oxford’s extraordinary…
The architectural provocations of I.M. Pei
When first considering architects for the new Louvre in 1981, Emile Biasini, the project’s head, liked that I.M. Pei was…
How French absolutism powered a techno-progressive revolution
The Enlightenment is back. Despite the best efforts of the past decade of handwringing about cultural imperialism and wailing over…
