The UK Drill Project, at The Pit, reviewed
The UK Drill Project is a cabaret show that celebrates greed, criminality and drug-taking among black males in London. It…
Matt Hancock: Star of the ‘I’m a Celeb’ jungle
Has Matt Hancock gone mad? Maybe not. His appearance in ‘I’m A Celebrity – Get Me Out of Here’ is…
Who will be next week’s ministerial exit?
For the past fortnight, it was Suella Braverman. Now it’s Sir Gavin Williamson. The media aims to destroy two careers…
The National Theatre deserves to have its budget cut
The arts cuts have arrived. The biggest loser is English National Opera whose annual award of £12.6 million will be…
The dialogue ripples with energy: King Hamlin, at the Park Theatre, reviewed
King Hamlin is a shock-horror drama about gang crime in London. Hamlin, aged 17, has left school without learning any…
PMQs: Starmer’s astonishing Nigel Farage imitation
The small boats have landed. PMQs was dominated by the migration issue and the flotillas of dinghies struggling across the…
Kids will enjoy this new show at the West End's newest theatre more than adults: Marvellous, @sohoplace, reviewed
London has a brand-new theatre – yet again. Last summer, a cabaret venue opened in the Haymarket for the first…
How long before Rishi fatigue sets in?
The Prime Minister has an Asian background. You wouldn’t know that if you listened to the Tories at PMQs because…
This production needs more dosh: Good, at the Harold Pinter Theatre, reviewed
Good, starring David Tennant, needs more dosh spent on it. The former Doctor Who plays John, a literary academic living…
The gripping spectacle of Truss's fight for survival
A week of sheer hell for the Tory leader. Plots and rumours have swirled around Westminster. Rebels are said to…
Mirthless, artless farrago of jabber: The Doctor, at Duke of York's, reviewed
The Doctor is an acclaimed drama from the pen of writer-director Robert Icke. We’re in a hospital run by a…
A show for politicians: John Gabriel Borkman, at the Bridge Theatre, reviewed
Clunk, clunk, clunk. John Gabriel Borkman opens with the obsessive footfalls of a disgraced banker as he prowls the attic…
Is Liz Truss a real grown-up?
Tough call today for Liz Truss. She had to relaunch her premiership at her very first conference as leader. She…
Worthy of Wilde: Eureka Day, at the Old Vic, reviewed
Eureka Day is a topical satire set in a woke school in America. An outbreak of mumps has led to…
A masterpiece: P Word, at Park Theatre, reviewed
Look at this line. ‘I’m 80 years old. I find that unforgivable.’ Could an actor get a laugh on ‘unforgivable’?…
A tremendous show that will attract serious attention from the West End: Rehab – The Musical reviewed
Rehab: The Musical opens with a boyband star, Kid Pop, getting busted for possession of cocaine. The judge sentences him…
For the state funeral mourners, the endurance is part of the ritual
The queue snakes for miles along the South Bank. Thousands of ordinary people are giving up hours of their time…
Why is the BBC using Paddington to remember Her Majesty?
Here comes Paddington – again. Earlier this year, to celebrate her platinum jubilee, the Queen agreed to be filmed taking…
Rhapsodic banalities: I, Joan, at the Globe, reviewed
‘Trans people are sacred. We are divine.’ The first line of I, Joan at the Globe establishes the tone of…
Our prison culture is more barbaric than it was in 1823: Elizabeth Fry ‘The Angel of Prisons’ reviewed
The Angel of Prisons dramatises the life of the penal reformer Elizabeth Fry, who lived near Canning Town. She married…
The show works a treat: Globe's The Tempest reviewed
Southwark Playhouse has a reputation for small musicals with big ambitions. Tasting Notes is set in a wine bar run…
A four-way race between poet, actor, video artist and sound engineer: Edinburgh Festival's Burn reviewed
In a new hour-long monologue, Burn, Alan Cumming examines the life and work of Robert Burns. The biographical material is…
The Dane gets an interpretive dance makeover: Ian McKellan's Hamlet reviewed
Ian McKellen’s Hamlet is the highlight of Edinburgh’s opening week. In this experimental ballet, Sir Ian speaks roughly 5 per…
I can't recommend this Cole Porter musical highly enough: Anything Goes, at the Barbican, reviewed
The Barbican’s big summer show is billed on the website as ‘the sold-out musical sensation, Anything Goes’. The term ‘sold-out’…
Stupendously good: Much Ado About Nothing, at the Lyttelton Theatre, reviewed
Simon Godwin’s Much Ado About Nothing is set in a steamy Italian holiday resort, the Hotel Messina, in the 1920s.…
