There's much more to Winslow Homer than his dramatic seascapes
Winslow Homer may be too all-American for British tastes but a forthcoming retrospective could change all that, says Laura Gascoigne
As cool and refreshing as a selection of sorbets: RA's Milton Avery show reviewed
‘I like the way he puts on paint,’ Milton Avery said about Matisse in 1953, but that was as much…
A showstopper is at the heart of this winning show: Dulwich Gallery's Reframed – The Woman in the Window reviewed
Themed exhibitions pegged to particular pictures in museum collections tend to be more interesting to the museum’s curators than to…
At her best when lightly ruffling the surfaces of things: Cornelia Parker, at Tate Britain, reviewed
Cornelia Parker wasn’t born with a silver spoon in her mouth, but when she was growing up her German godparents…
The women’s lips are pursed; the men’s are kissable: Glyn Philpot at Pallant House reviewed
Of all the photos of artists in the studio, the one of Glyn Philpot being served a martini by his…
Nobody paints the sea like Emile Nolde
In April, ten years after opening its gallery on the beach in Hastings, the Jerwood Foundation gifted the building to…
A brief introduction to Scottish art
When Nikolaus Pevsner dedicated his 1955 Reith Lectures to ‘The Englishness of English Art’, he left out the Scots. The…
Artist, actor, social justice warrior, serial killer: the many faces of Walter Sickert
Artist, actor, social justice warrior, serial killer. Laura Gascoigne on the many faces of Walter Sickert
Evocative tribute to the orphaned caped crusader: Superheroes, Orphans & Origins at the Foundling Museum reviewed
Instead of wasting money, like other museums, on extravagant architectural statements, the Foundling Museum in Brunswick Square has sensibly chosen…
Exquisite and deranged: two glass exhibitions reviewed
A ‘Ghost Shop’ has appeared between Domino’s Pizza and Shoe Zone on Sunderland High Street. Look through the laminated window…
Raphael – saint or hustler?
Laura Gascoigne dishes the dirt on Raphael
Fails to dispel the biggest myth of all: Whitechapel Gallery's A Century of the Artist’s Studio reviewed
Picture the artist’s studio: if what comes to mind is the romantic image of a male painter at his easel…
Part-gothic horror, part-Acorn Antiques: Louise Bourgeois, at the Hayward Gallery, reviewed
Louise Bourgeois was 62 and recently widowed when she first used soft materials in her installation ‘The Destruction of the…
The fascination of house fronts: Where We Live at Millennium Gallery reviewed
Paintings of houses go back a long way in British art: the earliest landscape in Tate Britain is a late…
Ethereal and allusive, all nuance and no schmaltz: Helen Frankenthaler, at Dulwich Gallery, reviewed
In 1950 the 21-year-old painter Helen Frankenthaler, fresh out of college, went to an exhibition at New York’s Betty Parson’s…
Brought to book
‘This is not a book,’ is the first line of Paul Gauguin’s final memoir, Avant et Après, written on Hiva…
How crazy was Louis Wain?
Before Tom Kitten, before Felix the Cat, before Thomas ‘Tom’ Cat, Sylvester James Pussycat Sr, Top Cat and Fat Freddy’s…
The genius of Frans Hals
Since art auctions were invented, they have served to hype artists’ prices. It can happen during an artist’s lifetime —…
The art of the pillbox
Laura Gascoigne on the art of pillboxes
The magical art of boxer, labourer & sometime gravedigger Eric Tucker
Artists’ estates can be a curse on a family. The painter dies, leaving the house stuffed with unsold canvases. What…
Covid has been great for drawing
Amid the greatly exaggerated reports of the death of painting issued and reissued over the course of the past century,…
How has this complete original been sidelined?
A party of disorderly couples has gatecrashed the Picture Gallery at Bath’s Holburne Museum, climbing on to the antique furniture,…
Why is the smoky, febrile art of Marcelle Hanselaar so little known?
I first became aware of the work of Marcelle Hanselaar in a mixed exhibition at the Millinery Works in Islington.…