James McConnachie

William Hogarth’s ‘Night’, in his series ‘Four Times of the Day’ (1736), provides a glimpse of the anarchy and squalor of London’s nocturnal streets

Wait until dark

21 March 2015 9:00 am

James McConnachie discovers that some of the greatest English writers — Chaucer, Blake, Dickens, Wordsworth, Dr Johnson — drew inspiration and even comfort from walking around London late at night

Perhaps the most formative years in our history were when ‘every second person suddenly died in agony — and no one knew why.’ Above, plague victims are blessed by a priest in the 14th-century ‘Omne Bonum’ by James le Palmer

The parlour-game approach

1 November 2014 9:00 am

A group of retired Somerset farmers were sitting about in the early 1960s, so Ian Mortimer’s story goes, debating which…

The dangerous allure of the unseen. Students of the occult are alarmed by their own success in conjuring up the dead

What the eye don’t see

9 August 2014 9:00 am

The best books by good writers — and Philip Ball is a very good writer indeed — are sometimes the…

English tea-chests are thrown into Boston harbour, 16 December 1773

Rags, riches and respectability

14 June 2014 8:00 am

In a grand history of the British empire — because that is what this book really is —  you might…

Portrait of T.E. Lawrence by Augustus John

The Great Game in Arabia

8 March 2014 9:00 am

How do you write a new book about T.E. Lawrence, especially when the man himself described his escapades, or a…

Evil under the sun

23 November 2013 9:00 am

At the dark heart of this dark book is a startling fact: Joseph Conrad was employed to steam up the…

Garden of earthly delights

2 November 2013 9:00 am

It was Hazlitt who said of Hogarth that his pictures ‘breathe a certain close, greasy, tavern air’, and the same…

Writ in stone

31 August 2013 9:00 am

James McConnachie finds that theology and geology have been unlikely bedfellows for centuries

Things a conductor can do with his left hand

Waving, not drowning

20 July 2013 9:00 am

Conductors love telling stories, especially stories about other conductors, and every chapter of this otherwise determinedly pragmatic book begins with…