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The Spectator's Notes

The Spectator’s notes

22 July 2017

9:00 AM

22 July 2017

9:00 AM

We went to the first night of the Proms last week. Thinking it was all over, we left the auditorium just before Igor Levit came back on for a delayed encore in which he played Beethoven’s Ode to Joy (transcribed by Liszt) as an anti-Brexit gesture. We loved Levit’s earlier rendering of a Beethoven piano concerto, but were spared his political views, so it was a perfect evening.

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