Theatre
Two hours of yakking about Israel: Giant, at the Harold Pinter Theatre, reviewed
Two hours of yakking about Israel. That’s all you get from Giant at the Harold Pinter Theatre. Endless wittering laced…
Delightful nostalgia for political wonks: The Gang of Three, at the King’s Head Theatre, reviewed
The Gang of Three gets into the nitty-gritty of Labour politics in the 1970s. It opens with the resignation of…
How tech ruined theatre
Poor John Dennis. In 1709, the playwright devised a novel technology to simulate thunder to accompany his drama Appius and…
Pure gold: My Master Builder, at Wyndham’s Theatre, reviewed
My Master Builder is a new version of Ibsen’s classic with a tweaked title and a transformed storyline. Henry and…
The case for replacing nurses with robots
Tending is a work of activism on behalf of the NHS. The script brings together the testimony of 70 nurses…
Those behind this fabulous new comedy are destined for big things
Rhinoceros by Eugene Ionesco is a period piece from 1959. It opens with the invasion of a French village by…
A horribly intriguing dramatic portrait of Raoul Moat
Robert Icke’s new play examines one of the least appetising characters in British criminal history. Raoul Moat went on a…
Visit the King’s Head Theatre for one of the greatest theatrical surprises of the year
Amanda Abbington’s new show is heavily indebted to Noël Coward’s Hay Fever.Coward’s early play follows the tribulations of the superficial…
I wish someone would kill or eat useless Totoro
My Neighbour Totoro is a hugely successful show based on a Japanese movie made in 1988. The setting is a…
Why we’re flocking to matinees
The Starland Vocal Band were on to something. In their 1976 hit ‘Afternoon Delight’ they sang, in gruesomely twee harmony:…
Irresistible: Clueless, at the Trafalgar Theatre, reviewed
Cher Horowitz, the central character in Clueless, is one of the most irritating heroines in the history of movies. She’s…
A treat for nostalgic wrinklies: Punk Off!, at the Dominion Theatre, reviewed
Punk rock, packaged, parcelled, and boxed up as a treat for nostalgic wrinklies. That’s the deal with Punk Off!, a…
Brian Cox’s Bach has to be heading for Broadway
The Score is a fine example of meat-and-potatoes theatre. Simple plotting, big characters, terrific speeches and a happy ending. The…
Tedious and threadbare: Unicorn, at the Garrick Theatre, reviewed
Unicorn, Mike Bartlett’s new play, involves some characters in chairs discussing a sexual threesome. That’s the entire show. Polly (Nicola…
If you have two hours to spare, spend it anywhere but here: The Years reviewed
The Years is a monologue spoken by a handful of actresses, some young, some old enough to carry bus passes.…
The problem of back-story in drama
Olga in Three Sisters, the opening speech: ‘Father died just a year ago, on this very day – the fifth…
Stylish facsimile of Carol Reed’s film: Oliver!, at the Gielgud Theatre, reviewed
Oliver! directed by Matthew Bourne is billed as a ‘fully reconceived’ version of Lionel Bart’s musical. Very little seems to…
An excellent sixth-form drama project: Santi & Naz, at Soho Theatre, reviewed
Santi & Naz is a drama set in the Punjab in 1947 that uses an ancient and thrilling storyline about…
Immigration’s theatre of the absurd
On the cusp of an almighty row over Trump’s planned mass deportations, let’s look to Europe for light relief. Last…
Pious bilge: Kyoto, at @sohoplace, reviewed
The West End’s new political show, Kyoto, can’t be classed as a drama. A drama involves a main character engaged…
Cheerless and fussy: The Tempest, at Theatre Royal Drury Lane, reviewed
The Tempest is Shakespeare’s farewell, his final masterpiece or, if you’re being cynical, the play that made him jack it…
What makes a good title?
Liszt’s compositions tend to have descriptive titles – ‘Wild Chase’; ‘Dreams of Love’ – whereas Chopin avoided titles. Thomas Wentworth…
Exquisite: Tom Stoppard’s The Invention of Love, at Hampstead Theatre, reviewed
The Invention of Love opens with death. Tom Stoppard’s play about A.E. Housman starts on the banks of the Styx,…
Brutal and brilliant portrait of Bette Davis and Joan Crawford
The Last Days of Liz Truss? is a one-woman show about the brief interregnum between Boris Johnson and Rishi Sunak.…
Sumptuous but musically unmemorable: Elton John’s The Devil Wears Prada musical reviewed
The Devil Wears Prada is a fairy tale about an aspiring female novelist, Andy, who receives a job offer from…
