performance art
The artist who left no physical record of her work
While locked-down galleries compete to keep their artists in the public eye — or ear — by uploading interview podcasts,…
![English National Opera's triumphant new production of Harrison Birtwistle's The Mask of Orpheus, directed by Daniel Kramer. [Photo: Alistair Muir]](https://www.spectator.com.au/wp-content/uploads/2019/10/Opera_Exhibitions.jpg?w=410&h=275&crop=1)
A triumph: ENO’s Mask of Orpheus reviewed
ENO’s Mask of Orpheus is a triumph. It’s also unintelligible. Even David Pountney, who produced the original ENO staging in…
Dau is the strangest and most unsettling piece of art to come out of Russia in years
Dau is not so much a film as a document of a mass human experiment. The result is dark, brilliant…
Read The Spectator article that gave birth to musical minimalism 50 years ago
The Spectator is responsible for many coinages. One of the most significant came in 1968, when an article by our…
Grief-conjurors, space-mincers and earth-shovellers: performance roundup
They enter two by two. Grannies, mainly. Headscarved, mainly. Some locking arms. A bit glum. Like rejects from Noah’s ark.…
In a world full of zombie new operas, thank god for Philip Glass’s Akhnaten
A mixed year so far for new opera. A few really dismal things have appeared from people who should know…
Why we should say farewell to the ENO
It’s easy to forget what a mess of an art form opera once was. For its first 100 years it…
