Klimt
Goddesses and courtesans: six centuries of the female body in art
Amy Dempsey explains how nude representations, from Botticelli’s ‘Birth of Venus’ to Manet’s ‘Olympia’, express both emotion and the attitudes of the day
Driven to abstraction
If Modernism is a jungle, how do you navigate a path through its thickets? Some explorers — Peter Gay and…
The spaces in between
An unfinished painting can provide a startling glimpse of the artist at work. But the common tendency to prefer it to a finished work is being taken to extremes, says Philip Hensher
Privates on parade
One day, as a student — or so the story goes — Egon Schiele called on Gustav Klimt, a celebrated…
