Hampstead Theatre
A surefire international hit: Lungs reviewed
No power on earth can stop Lungs from becoming an international hit. Duncan Macmillan’s slick two-handed comedy reunites Matt Smith…
An exceptional dystopia that’s made for TV: The Phlebotomist reviewed
The Phlebotomist by Ella Road explores the future of genetics. Suppose a simple blood test were able to tell us…
Cost of Living at Hampstead Theatre isn’t a bad show – and it contains a star in the making
Hampstead has become quite a hit-factory since Ed Hall took over. His foreign policy is admirably simple. He scours New…
A horror show that appeals to the intellect but not the gut: The Tell-Tale Heart reviewed
The Tell-Tale Heart is based on a teeny-weeny short story by Edgar Allan Poe. The full text appears in the…
One of the best plays I’ve ever seen: I and You at the Hampstead Theatre reviewed
Lauren Gunderson’s play I and You opens in the scruffy bedroom of 17-year-old Caroline. Lonely, beautiful and furious, she’s unable…
Its producers should tape a cyanide pill to the programme: The Humans reviewed
Hampstead’s boss Ed Hall was so impressed by Stephen Karam’s play The Humans that he wanted to direct it himself.…
Contains at least 15 laugh-out-loud moments: Genesis Inc. reviewed
Listen to the crowd. I often delay passing judgment on a show until the audience delivers its verdict. This is…
Rarely have I sat through such a chaotic and whimsical script: Describe the Night reviewed
Describe the Night opens in Poland in 1920 where two Russian soldiers, Isaac and Nikolai, discuss truth and falsehood. Next…
Bold, in its way, but Ben Whishaw is ill-suited to Shakespeare: Julius Caesar reviewed
Nicholas Hytner’s new show is a modern-dress Julius Caesar, heavily cut and played in the round. It runs for two…
Speech therapy
Oslo opened in the spring of 2016 at a modest venue in New York. It moved to Broadway and this…
Shaw thing
T.E. Lawrence is like the gap-year student from hell. He visits a country full of exotic barbarians and after a…
Foote fault
Samuel Foote (1720–77) was a star of the 18th-century stage who avoided the censors by extemporising his performances. Today we’d…
Poetry in motion
Quite a hit factory these days, the Hampstead Theatre. The latest candidate for West End glory is Hugh Whitemore’s bio-drama…
Young blood
Dominic Cooke did it at the Royal Court. Now Ed Hall is having crack as well. Cooke’s crazy decision to…
