Carl Orff
Apocalyptic minimalism: Carl Orff's final opera, at Salzburg Festival, reviewed
‘Germany’s greatest artistic asset, its music, is in danger,’ warned The Spectator in June 1937. Reporting from the leading new-music…
Birmingham Royal Ballet review: A Father Ted Carmina Burana
We ballet-goers may be the most self-deceiving audiences in theatre. Put a ‘new work’ in front of us and half…
