Acosta Danza
I’ve had it with Pina Bausch
My patience with the cult of Pina Bausch is wearing paper thin. She was taken from us 16 years ago,…
Deeply impressive and beautiful: Akram Khan’s Gigenis reviewed
After taking a wrong turn culminating in the misbegotten Frankenstein, Akram Khan has wisely returned to his original inspiration in…
Swings between violence and comedy: Pina Bausch's Kontakthof, at Sadler's Wells, reviewed
When you take in the richness of a Pina Bausch production — the redolent staging, the eloquent, eccentric twists of…
Pretty vacant
Alice is at it again. Christopher Wheeldon’s 2011 three-act ballet began another sell-out run at Covent Garden last week. It’s…
