Theatre
Return to gender
Emilia is a period piece about Emilia Bassano who may have been the ‘dark lady’ of Shakespeare’s sonnets. The writer,…
Thank god for lockdown
Death of England: Delroy is a companion piece to Death of England, which ran in February at the NT and…
An ego the size of Botswana
It’s touch and go whether the theatre will survive this latest assault. Some venues have pushed back their entire programme…
Cream of the crop
Theatres can open if they want to. That’s the current position. The only factor keeping a playhouse dark is a…
Cannibalism meets feminism
In Bad Taste is a slapstick comedy about five female terrorists who murder the governor of the Bank of England.…
A conspiracy against art
Southwark Playhouse has revived an American show, The Last Five Years, whose run was cancelled in March. In advance, I…
Sins of the fathers, music of the sons
When Kwame Kwei-Armah took over the Young Vic he strapped a ‘Black Lives Matter’ sign over the front of the…
Life and fate
The season of Alan Bennett’s Talking Heads continues at the Bridge. In The Hand of God we meet Celia, a…
Five-star blarney
The Old Vic refuses to reopen. Director Matthew Warchus says the social distancing rules make it impossible for him to…
In defence of George Bernard Shaw
What has happened to Rada? The Royal Academy of Dramatic Art is the latest arts establishment to have gone mad.…
Marshal law
Covid marshals have invaded theatreland. Arriving for a weekday matinee at the Bridge, I was greeted by stewards holding up…
Wet wet wet
It has roughly the same proportions as Shakespeare’s Globe. The Roman Theatre in Verulamium (St Albans) is an atmospheric ruin…
Mum’s the word
The virus has broken Edinburgh. The shattered remnants of the festival are visible on the internet. Here’s what happened. The…
When things fall apart
Okay, I admit it. I have a girl crush on Juliet Stevenson. Ever since I first saw her in the…
‘Theatre is back!’
So the madness continues. Planes full of passengers are going everywhere. Theatres full of ghosts are going bust. My first…
Soho moonwalk
Back to the West End at last. After a four- month lay-off, I grabbed the first available chance to catch…
The death of theatre
Auditoriums can now reopen — but they will resemble prison camps, says Lloyd Evans
Orbs and triangles
The BBC announces Merchant of Venice as if it were a Hollywood blockbuster. ‘In the melting pot of Venice, trade…
Net effect
Let’s face it. Theatre via the internet is barely theatre. It takes a huge amount of creativity and inventiveness to…
No laughing matter
The RSC’s 2014 version of Much Ado is breathtaking to look at. Sets, lighting and costumes are exquisitely done, even…
The Bard in the bedroom
Nicholas Hytner’s A Midsummer Night’s Dream opens in a world of puritanical austerity. The cast wear sombre black costumes and…
Chekhov by Zoom
The Beeb has released Simon Godwin’s Hamlet staged by the RSC in 2016. The director makes one major change and…
Mad for it
The longest interval in theatre history continues. Last week the National Theatre livestreamed a 2018 version of The Madness of…
Walnut whips and Stafford Cripps
The National Theatre’s programme of livestreamed shows continues with the Donmar’s 2014 production of Coriolanus starring Tom Hiddleston. The play…
Good grief
Sea Wall, by Simon Stephens, is a half-hour monologue about grief performed by Andrew Scott. The YouTube clip has been…
