Television
Channel 4’s Kiri is already shaping up to be one of the TV highlights of the winter
These days a genuinely controversial TV drama series would surely be one with an all-white, male-led cast that examined the…
I wish the BBC made more dramas like McMafia – but it’s too busy virtue-signalling
My third most fervent New Year wish — just after Litecoin goes to £20,000 and Jacob Rees-Mogg becomes PM —…
Lovely to look at but irritatingly pious: The Miniaturist reviewed
BBC1’s The Miniaturist (26/7 December) is a lavish two-part adaptation of Jessie Burton’s bestseller. It’s also further proof that almost…
Once you get over its political correctness, Netflix’s Godless is a cracker
Boy came to me the other night in a state of dismay. ‘Dad, I just turned on Match of the…
A non-sniggering look at the latest developments in the lucrative sex-robot market
This week on Channel 4, we watched a cheery 58-year-old American engineer called James going on a first date. He…
Presenting a quiz is far from easy
It’s a weird sensation getting your child back for an extended period when for the previous decade you’ve been packing…
Sun readers will be disappointed – E.M. Phwoar-ster it is not: Howards End reviewed
Any readers of the Sun who excitedly tuned in to Howards End on Sunday night with their pause button at…
The left-wing bias on Celebrity Gogglebox was excruciating
This week I want to put the boot in to Gogglebox (Channel 4, Fridays). Not the mostly likeable, everyday version,…
It’s hard to preserve the primacy of head over heart while watching this doc about refugees
Anybody who wants to maintain a strong and untroubled stance against mass migration to Europe should probably avoid BBC2’s Exodus:…
Pass the sick bag
The opening of Gunpowder (BBC1, Saturdays) was just about the most knuckle-gnawingly tense ten minutes I’ve ever seen on TV.…
Saints and sinners
Any rival reality-TV makers watching Channel 5 on Thursday will, I suspect, have been both mystified and slightly embarrassed at…
When in Rome…
I know I keep saying that in Decline of the West terms we’re all currently living in Rome, circa 400…
Playing it safe
BBC1’s latest Sunday-night drama The Last Post, about a British military base in Aden in 1965, feels like a programme…
Loose ends
On Sunday night, Holliday Grainger was on two terrestrial channels at the same time playing a possibly smitten sidekick of…
Rockies horror show
Tin Star, the latest Sky Atlantic drama, has a comfortingly familiar premise: Jim Worth (Tim Roth), an ex-detective from London…
Second thoughts
I had planned to review David Mitchell and Robert Webb’s new Channel 4 sitcom Back without constantly referring to their…
Straight to hell
No, The State (Channel 4) wasn’t a recruiting manual for the Islamic State, though I did feel uneasy about it…
For goodness’ sake
Most new Netflix series are greeted not merely with acclaim, but with a level of gratitude that the returning Christ…
Norway’s noir
Valkyrien (C4, Sunday) is the hot new Scandi-noir series, which is being billed as Norway’s answer to Breaking Bad. In…
In praise of Netflix
All this week I have been trying, with considerable success, to avoid being bludgeoned by TV programmes telling me in…
1967 and all that
As you may have spotted, the BBC is marking the 50th anniversary of the decriminalisation of male homosexuality with an…
Dethroned by feminism
I’m a bit worried about Game of Thrones (Sky Atlantic). Not seriously worried: there’s too much money invested, too much…
Candid camera?
Channel 4’s Catching a Killer offered the rare TV spectacle these days of a middle-aged white male copper leading a…
In praise of braindead filth
Melvyn Bragg on TV: The Box That Changed The World (BBC2, Saturday) was just what you would have expected of…
Mad about the girls
It’s not unusual to see a pop concert on TV where teenage girls and a group of middle-aged men are…
