Television
The Beast in Me is surprisingly addictive
The Beast in Me is one of those ‘taut psychological thrillers’ that everyone talks about in the office. This might…
Gothic lives matter: BBC2’s Civilisations reviewed
Anybody growing weary of the debate surrounding the BBC’s unexamined assumptions and biases about modern politics might have expected to…
Pluribus is a mess
Pluribus is another drama set in the dystopian future. But on this occasion the integrity of the entire human race…
Bleak but gripping: Channel 4’s Trespasses reviewed
Yeats famously summarised Ireland in the four words, ‘Great hatred, little room’. But, as Louise Kennedy’s 2022 debut novel Trespasses…
Film and TV are run by satanists
I once came up with a brilliant idea for a children’s Sunday-evening TV series. It would follow the adventures of…
The joy of Mortimer and Whitehouse: Gone Fishing
If you didn’t already know that Down Cemetery Road was based on a novel Mick Herron wrote before the Slough…
A great comedy about a terrible sport
I’m trying to think of things I’m less interested in than American football. The plant-based food section? Taking up my…
Is there anything menopausal women can’t do?
Is there anything menopausal women can’t do (on television)? Last Sunday, as a couple of them were still working on…
Excruciating: Netflix’s House of Guinness reviewed
First the surprising news: not a single one of the four Guinness siblings in 1868 Dublin is black; and only…
The death of cinéma vérité
Oh, how we lived. Or, how we thought we lived. Despite the numerous criticisms levelled at the BBC on a…
Every line in the new Alan Partridge is perfect
By now, viewers of TV thrillers are no strangers to a baffling prologue – but this week brought a particularly…
Mr Bates this isn’t: The Hack reviewed
As we know, when terrestrial television has a big new hit these days, its response – once it’s got over…
The makers of Doc don’t seem to trust the show
The drama series Doc began with the most literal of bangs. While the screen remained black, the sound-effects team knocked…
Netflix’s Hostage is an act of cultural aggression
Apart from hunting, one of the very few consolations of the end of summer is that telly stops being quite…
Another Traitors rip-off – and it might be even better than the original: Channel 4’s The Inheritance reviewed
Another week, another show striving desperately to become the new Traitors. So it is that The Inheritance brings a group…
The brilliance of BBC Alba
During lockdown, a friend and I moved into a flat that had a difficult relationship with the TV aerial. Ineptitude…
Alien: Earth is wantonly disrespectful to the canon
I once spent a delightful weekend in Madrid with the co-producer of Alien. His name was David Giler (now dead,…
I love how awful My Oxford Year is
The punters are saying My Oxford Year is a disaster. ‘Predictable, uninspiring and laughable,’ complains some meanie on Rotten Tomatoes.…
Worth watching for Momoa’s gibbous-moon buttocks alone
If you enjoyed Apocalypto – that long but exciting Mel Gibson movie about natives being chased through the jungle with…
The NHS is to blame for Bonnie Blue
Channel 4’s documentary begins as the ‘adult content creator’ Bonnie Blue (real name: Tia Billinger, 26, Derbyshire) prepares to beat…
The demise of South Park
President Trump has a very small willy. His boyfriend is Satan. He’s a con man who will sue you for…
The power of BBC’s The Narrow Road to the Deep North
It’s been a good week for fans of TV dramas that are set partly in Syria, feature poetry-lovers confronting extreme…
Turgid, vacuous, portentous: The Sandman reviewed
One of the great things about getting older is no longer feeling under any obligation to try to like stuff…
How to holiday White Lotus-style: Billionaire Playground reviewed
Today’s television is notably fond of presenting us with very rich people to both despise and wish we lived like.…
The Simpsons may be genius – but it’s also evil
Marge Simpson is dead. But does anyone care? I’ve written loads of pieces over the years about the genius of…
