Michael Arditti

The making of a poet: Mother’s Boy, by Patrick Gale, reviewed

5 March 2022 9:00 am

Charles Causley was a poet’s poet. Both Ted Hughes and Philip Larkin considered him the finest candidate for the laureateship,…

Man of mystery: Not Everybody Lives the Same Way, by Jean-Paul Dubois, reviewed

29 January 2022 9:00 am

For Jean-Paul Dubois, as for Emily Dickinson, ‘March is the month of expectation’. A prolific writer, he limits his literary…

A scrapbook of sketches: James Ivory’s memoir is slipshod and inconsequential

11 December 2021 9:00 am

James Ivory and Ismail Merchant formed the most successful cinematic partnership since Michael Powell and Eric Pressburger. Between the founding…

From ‘little Cockney’ to playing Queen Mary: the remarkable career of Eileen Atkins

16 October 2021 9:00 am

Eileen Atkins belongs to a singular generation of British actresses, among them Judi Dench, Maggie Smith, Sian Phillips and Vanessa…

The secret life of Thomas Mann: The Magician, by Colm Tóibín, reviewed

18 September 2021 9:00 am

In a letter to Stephen Spender, W.H. Auden, who had married Thomas Mann’s daughter Erika sight unseen in order to…

The book as narrator: The Pages, by Hugo Hamilton, reviewed

31 July 2021 9:00 am

It is a truism that a book needs readers in order to have a meaningful existence. Hugo Hamilton’s The Pages…

Brightest of the Bright Young People: the rich, rackety life of Cecil Beaton

12 June 2021 9:00 am

In December 1979, the 28-year-old Hugo Vickers, dining with a friend, declared: ‘I see little point to life these days.’…

Celebrating Jesus’s female followers: Names of the Women, by Jeet Thayil, reviewed

20 March 2021 9:00 am

The gnostic Gospel of Mary has long been the subject of controversy, even as to which of the several Marys…