Edinburgh round-up
Propaganda is said to work best when based upon a grain of truth. Ukip! The Musical assumes that most electors…
Chekhov by numbers
Chekhov so dominates 19th-century Russian drama that Turgenev doesn’t get much of a look-in. His best known play, A Month…
Look at my Fringe
Our theatre critic, Lloyd Evans, makes his Edinburgh debut
Family matters
God, what a title. The Gathered Leaves. It sounds like a tremulous weepie about grief and endurance with a closing…
Look at my Fringe
Like everyone performing at the Edinburgh Fringe I’m about to make a lot of mistakes. I’m about to lose a…
Has-Bean
Richard Bean, the country’s most bankable playwright, knocks out a new script every four months. Thanks to the success of…
Night at the circus
Easy playwright to get on with, Ben Jonson. His world is simple, his tastes endearing. He likes golden-hearted swindlers and…
Home and away
Refugee crisis in the Mediterranean! Fear not. Anders Lustgarten and his trusty rescue ship are here to save mankind. Lampedusa…
Bid low, break even
A new Seagull lands in Regent’s Park. Director Matthew Dunster has lured Chekhov’s classic into a leafy corner of north…
Savile exposed
Ho hum. Bit icky. Not bad. Hardly dazzling. The lukewarm response to An Audience With Jimmy Savile has astonished me.…
Own goal
For nine years Patrick Marber has grappled with writer’s block (which by some miracle doesn’t affect his screenplay work), but…
Hard reign
King John arrives at the Globe bent double under the weight of garlands from the London critics. Their jaunt up…
Close encounters
In October 2011 anti-capitalist vagrants built an open-air squat outside St Paul’s within shrieking distance of London’s financial heart. The…
One foot on the catwalk
St James Theatre hosts a new play about Alexander McQueen (real name Lee), whose star flashed briefly across the fashion…
Yank bait
Here come the Yanks. As the summer jumbos disgorge their cargoes of wealthy, courteous, culture-hungry Americans, the West End prepares…
Four play
If Julian, Dick, George and Anne had become terrorists they’d have called themselves The Angry Brigade. It’s such a Wendy…
Shakespeare’s duds
I love Shakespeare. But when he pulls on his wellies and hikes into the forest I yearn for the exit.…
Shakespeare’s duds
I love Shakespeare. But when he pulls on his wellies and hikes into the forest I yearn for the exit.…
Shakespeare’s duds
I love Shakespeare. But when he pulls on his wellies and hikes into the forest I yearn for the exit.…
Pinter without the bus routes
David Mamet is Pinter without the Pinteresque indulgences, the absurdities and obscurities, the pauses, the Number 38 bus routes. American…
State of play
How has political theatre fared during the coalition? Not very well, writes Lloyd Evans
Losing the plot
Enter Rufus Norris. The new National Theatre boss is perfectly on-message with this debut effort by Caryl Churchill. Her 1976…
Stage fright
The smash hit Matilda, based on a Roald Dahl story, has spawned a copycat effort, The Twits. Charm, sweetness and…
Death by politics
Dead Sheep is a curious dramatic half-breed that examines Geoffrey Howe’s troubled relationship with Margaret Thatcher. Structurally it’s a Mexican…
Ayckbourn again
Experts are concerned that Alan Ayckbourn’s plays may soon face extinction. Fewer than 80 of these precious beasts still exist…
