When T.S. Eliot published ‘The Waste Land’ in 1922, it was seen as a masterpiece of modernism. It was, but it was also a work steeped in cultural tradition. This was made apparent in the ‘Notes on The Waste Land’ with which Eliot supplemented his poem. In them, he glossed its literary echoes – the Upanishads, Dante, Chaucer, Mallory, Shakespeare, etc.
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