Medea’s continuing hold over spinners of tall tales from Euripides to Chaucer to Pasolini needs little explanation; she’s an archetype with everything going for her. As a fratricide and murderer of her own children, among assorted other acts of blood lust, her acts of brutality are so transgressive and symbolic that they offer themselves up to psychoanalytic deconstruction; as a woman abandoned and betrayed by Jason, for whom she has arguably risked everything, she presents herself neatly as a sacrifice thrown to the god of male ambition, arrogance and insecurity.