<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Culture studies

Why are students of curation being taught to ignore the public and be suspicious of enterprise?

Mark Irving laments how students of curation start off as lively citizens of the world and end up as dulled parrots of ideological cant

22 November 2014

9:00 AM

22 November 2014

9:00 AM

The world exists and then it disappears, piece by piece, the gaps widening until one age is replaced by another, leaving only fragments of the past. With luck, these pass through the hands of curious collectors dedicated to bridging the gaps formed by the desecrations of time, before reaching a terminus point in a museum as votive offerings on the altar of culture.

Already a subscriber? Log in

Get 10 issues
for $10

Subscribe to The Spectator Australia today for the next 10 magazine issues, plus full online access, for just $10.

  • Delivery of the weekly magazine
  • Unlimited access to spectator.com.au and app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close