Phrases such as ‘Some aspects of…’ are death at the box-office, so it is not exactly unknown for the titles of scholarly works to promise far more than they actually deliver. Most unusually, the actual reach of Ruth Guilding’s mighty and compelling new study is far wider than the already large subject of ‘Why the English Collected Antique Sculpture, 1640–1840’.
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Available from the Spectator Bookshop, £48 Tel: 08430 600033. David Ekserdjian curated the 2012 Bronze exhibition at the Royal Academy and is an expert on the Italian Renaissance.
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