<iframe src="//www.googletagmanager.com/ns.html?id=GTM-K3L4M3" height="0" width="0" style="display:none;visibility:hidden">

Books

Reynolds produced some of the finest portraits of the 18th century – and a few of the silliest

A review of Reynolds: Portraiture in Action, by Mark Hallett, an investigation of the strate­gies by which the painter achieved unprecedented fame

9 August 2014

9:00 AM

9 August 2014

9:00 AM

Reynolds: Portraiture in Action Mark Hallett

Yale, pp.488, £50, ISBN: 978030019699

On Monday 21 April 1760 Joshua Reynolds had a busy day. Through the morning and the afternoon he had a series of sitters. Each of these stayed for an hour in the painter’s premises on St Martin’s Lane and was no doubt ‘greatly entertained’ — as another of Reynolds’s clients recorded — by watching the progress of their portraits in a large looking-glass strategically placed behind the easel so the subject could view the artist at work.

Already a subscriber? Log in

Subscribe for just $2 a week

Try a month of The Spectator Australia absolutely free and without commitment. Not only that but – if you choose to continue – you’ll pay just $2 a week for your first year.

  • Unlimited access to spectator.com.au and app
  • The weekly edition on the Spectator Australia app
  • Spectator podcasts and newsletters
  • Full access to spectator.co.uk
Or

Unlock this article

REGISTER

Available from the Spectator Bookshop, £42, Tel: 08430 600033

You might disagree with half of it, but you’ll enjoy reading all of it. Try your first month for free, then just $2 a week for the remainder of your first year.


Comments

Don't miss out

Join the conversation with other Spectator Australia readers. Subscribe to leave a comment.

Already a subscriber? Log in

Close